Low Traffic Neighborhoods
George Monbiot on traffic calming and control, in The Guardian
Summary: Direct, physical changes to neighborhood streets that reduce the volume and speed of traffic increase personal safety and community quality of life. Some drivers get very angry when they feel their need to move swiftly through city neighborhoods is impeded.
My take: We’re getting a little of this with the speed humps the City’s putting in. It’s just a beginning. GoBike’s bike lane tests are showing us another part of the way forward. Monbiot makes a good point about how the effects of reducing traffic volume and speed are different for bigger and smaller streets. Also, efforts to calm biggers streets can push it through neighborhoods, to bad effect. Neighborhood streets are full of those pesky pedestrians, cyclists, old and disabled folks and little kids, often because they’re avoiding the local stroad.
“There could scarcely be a more reasonable policy. Low traffic neighbourhoods (LTNs) seek to stop residential streets being used as escape valves for overloaded arterial roads. They replace a privilege exercised by a few – rat-running through local streets – with rights enjoyed by the many: cleaner air, less noise, safe passage for children, cyclists, users of wheelchairs and mobility scooters, stronger communities.”
“The angry drivers insist that LTNs have been imposed on them. Well, whether they agree or not, there are consultations. But no one was consulted about their streets being used as short cuts. No one was consulted about facing a higher risk of asthma and dementia as a result of air pollution, or seeing their communities split by walls of traffic. No one was consulted about losing the places where neighbours could talk and children could play.”
Nancy Hayes, 1949

This is a watercolor my mother, Nancy Hayes, painted around 1949. View is to the south/southeast, from a ninth floor window at 23 High Street, Buffalo.
Edited for clarification: I’m guessing 1949, but it could have been anywhere from 1946 to 1954, when my Dad worked at UB for the first time.
The building’s gone. It was between Main and Washington, I think mid-block. South side of High Street.
I’m re-doing the matting. The frame was made by my father, then finished by my mother. She slathered black paint on the oak, then wiped it off, the front side anyway. Then my Dad finished it off, in a fairly crude way that’s held up very well. They were a handy couple and quite a team when it came to making things.
I think the houses in the painting are on Washington Street. Some may still be there, though houses were moved around in that block so it might be hard to tell.
If It’s Not True . . .
Sam’s Benecia Ballet Nutcracker Performance by johnpat10 is licensed under CC BY-NC-SA 2.0
. . . it should be: Jesse Ventura, in the course of his successful run for Minnesota governor, was asked by a reporter if wrestling is “fake,” to which he answered: “Fake? Is the ballet ‘fake’?”
Paco de Lucia, Flamenco God
Paco, what do you think of the image that all the artists have of you? You’re practically a god in flamenco.
Well, it’s something I got used to. Because it’s always been like that, ever since I was a child I think. When I was small people praised me and they’d say “oh, the kid, how the kid plays!… the kid …the kid…” So it’s something you get used to and it’s more a pain in the ass, if you pardon my language, than anything else. Well, you enjoy it but the responsibility of being there is huge and every time you make a record you get obsessed and you want to do it better. It’s very nice, I can’t complain, but sometimes the responsibility overcomes the pleasure of doing things, having to do things well can at times cancel out the pleasure of doing them.
Ivy Wedding, Brooklyn, November 10, 2018
Four photos from the day-after brunch:

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Am I Tired of Talking About It?
An Army Against Love
–Steve Silberman, in Lion’s Roar
Vidal on People
From Gore Vidal‘s memoir Palimpsest:
Recently [1994], a television interviewer quoted me as having said, “I seem to have met everyone, but I know no one.” Grinning like a tiger in anticipation of antelope, she leaned forward, gently salivating, eager to hear a tragic sigh, see a tear of self-pity. Plainly, due to my high and solitary place in the world—am I not the Living Buddha?—and to my cold nature and to my refusal to conform to warm mature family values, I am doomed to be the eternal outsider, the black sheep among those great good white flocks of folks who graze contentedly in the amber fields of the Republic.
I told her briskly that I had never wanted to meet most of the people that I had met and the fact that I never got to know most of them took dedication and steadfastness on my part. By choice and luck, my life has been spent reading other people’s books and making sentences for my own. More to the point, if you have known one person you have known them all. Of course, I am not so sure that I have known even one person well, but, as the Greeks sensibly believed, should you get to know yourself, you will have penetrated as much of the human mystery as anyone need ever know.
Crap

You Can’t Cheat An Honest Man
In You Can’t Cheat an Honest Man, W.C. Fields tells a customer that his grandfather’s last words, “just before they sprung the trap” were, “You can’t cheat an honest man; never give a sucker an even break, or smarten up a chump.”
Assholes
If you run into an asshole in the morning, you ran into an asshole. If you run into assholes all day, you’re the asshole.
—Elmore Leonard character Rayland Givens, perhaps from the TV show
(photo by flickr user Guilherme Nicholas)
Pictures from an Institution
Sometimes you meet, coming down the leafy path along which you are walking, a man dressed as Napoleon; as he talks to you, you look at him with distrust, pity, amusement—carefully do not look, rather. But as the two of you walk along, and people come up with wallpaper designs full of Imperial bees, rashly offer their condolences on the death of the Duc d’Enghien, ask for a son’s appointment as Assistant Quartermaster-General of the army being sent to the Peninsula, you realize that it is not he but his whole society that has “lost touch with reality.”
—- Randall Jarrell
Unrühe
Grass is important to the German public — I would go so far as to say “necessary” — because he has accepted being the emblem of the “German problem.” For instance, in his play, Grass is trying to force his countrymen, on both sides of the Wall, to admit the truth about at least one incontrovertible fact in German history: that the June, 1953, manifestation, which the East Germans describe, in Grass’s words, “as the work of Nazis sent in by the West” and which the West Germans call a heroic “uprising of the people,” was, in fact, “neither one nor the other, but a simple workers’ demonstration. The intellectuals, the church, the bourgeoisie abstained completely,” Grass said to me (slipping, for the only time in our talk, into real bitterness). “It was neither the Nazis, nor was it the whole German people. That would be too easy. I subtitle my play ‘A German Tragedy’ because, by telling a few lies, everyone got off the hook.”
Naturally enough, I asked Grass what he would have done in the circumstances. He would not, he said with some anger, have told the German people, as the Adenauer Government implied in 1953, that keeping peace and quiet was the citizen’s first duty: “Rühe ist die erster Bürgerpflicht.” For Grass, the horror of this attitude was its calculating hypocrisy, which he finds everywhere in West German society.
What Is An Anarchist?
The judge, to Ammon Hennacy, who had just pled “anarchism” to the charge of illegal demonstration, in Salt Lake City – “Mister Hennacy, what is an anarchist?” Hennacy – “Judge, an anarchist is a fellow who don’t need a cop to tell him what to do!”
Pancake
One of my earliest memories, when I was not yet three years old, in Ohio. A neighbor had a reflecting telescope and we were observing the full moon with it. The adults were, anyway. When I was hoisted up and looked into the eyepiece, I was convinced there was a pancake – yellow, with bubbles – at the bottom of this tube and I was baffled by why we would be looking at it through a tube and not taking it out and eating it. Clearly, a hungry child.
An early experience that reinforced my distrust of grownups.
Photo of moon by flickr user coniferconifer
Business Lesson of the Day: Point of View
When I worked at the outsourcing company, in the call center, for quite a while I was the only one on the night shift. So I was always happy to see people in the morning, and was usually quite chatty.
The company hired a service to take care of their plants. They’d moved twice in the short time I’d been with them, each time to a larger space. Early one morning, I was chatting with the fellow who came around to trim and water the plants. Remarking on the size of the new space and the size of his job, he told me “I remember when you were a three-plant company!”